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He could blend memories and music to tell an emotional truth as opposed to delivering hard facts.
The story begins with Elton John (Taron Egerton) attending a group therapy session with other recovering addicts. He’ll say a truth that isn’t really the case, because when you flash back to his memory, it is not what he’s saying,” says BAFTA-winning re-recording mixer Mike Prestwood Smith, who handled the film’s dialogue and music.
The acclaimed sci-fi, superhero, adventure mash-up was just Emmy-nominated for its season-ending episode “The White Violin,” which showcased a full range of spectacular VFX. Pogo to blowing up the moon and a mansion to the characters’ varied superpowers. The story starts when 43 infants are born to unconnected women who showed no signs of pregnancy the day before.
Meanwhile, TV shows either tried to avoid them altogether or had to rely on generic hand-me-downs.
brings so much to the screen, with its near-photorealistic imagery, interesting camera angles and variations in depth of field. It’s a film,” says Skywalker Sound’s Oscar-winning re-recording mixer Michael Semanick, who handled the effects/music alongside re-recording mixer Nathan Nance on dialogue/Foley.
Here, Semanick and Nance talk about their approach to mixing has to be the gold standard.
This fantasy series was recently Emmy-nominated for its visually ambitious VFX in the penultimate episode, “The Bells.” All the epic mass destruction presented Scanline’s VFX supervisor, Mohsen Mousavi, and his team many challenges.
But his expertise in high-end visual effects, and his reputation for constant innovation in advanced methodology, made him a perfect fit to oversee Scanline’s VFX for the crucial last three episodes of the final season of Netflix’s Gorgeous Ladies of Wrestling (GLOW) are back in the ring for a third round of the dramatic comedy, but this time they’re in Las Vegas.